How come you're so weird?
THEY WERE ALL VERY GOOD, THANK YOU.
(I'm a bit busy at the office, but I might have more to say about a few of these books later)
They'll tell you that John McCain is unfit to run this country.
I say bullshit. Because who wouldn't want a president that can do this?
What's that? You say that's John McClane?
Oh, nevermind then.
AMAZING SPIDER-MAN #575
This is actually a really frustrating book for me. Part of me wants to hate it, because the writing makes Spider-Man look like a total asshole. I mean, I understand that there's a certain level of humor to the whole situation with this nasty "Greta" lady, but beyond that, half this book is Spider-Man making fun of a crazy lady right to her face. On the other hand, Joe Kelly writes a good Aunt May (not a fan of Chris Bachalo's pencils on her, though). That's not even mentioning the fact that the second half of this book makes up for the shittiness of the first half. We not only get a couple pages of surprisingly actually funny spider-bloopers, and a battle with a new-and-improved Hammerhead.
AVENGERS: THE INITIATIVE #18
This book continues to be one of the most fun of the handful of Secret Invasion tie-ins I still pick up. This issue, especially, is particularly awesome. While journeying around with the Skrull Kill Krew, we get a chance to check in on the new Freedom Force, who I seriously hope get their own series, or at least more face time in this book. Not only does this team have former Initiative trainees Hardball, Komodo and Cloud 9 (who are now really badass, all of a sudden), but it also has a hero who is terribly underused, Gravity. Anyways, lots of fighting and skrulls, as you'd expect, but wait until you meet the original Skrull Kill Krew.
CAPTAIN AMERICA THEATER OF WAR: OPERATION ZERO POINT
This Mitch Breitweiser guy draws an awesome Captain America Riding Atop a Nazi UFO. Oh, by the way, that happens.
KILL YOUR BOYFRIEND
I understand that the internet comics community is largely of the opinion that Grant Morrison can do no wrong. I've yet to reach that level of Morrison fanboydom. So, at risk of alienating myself, can I just say this book was only just ok? It follows a young english schoolgirl who runs away from home into a life of crime and drugs, and is a pretty entertaining book. I really love the concept, but it feels like it rushes along way too quickly. The main character often does these little "monologues" where she breaks the 4th wall, which could be fun, if it were more clearly defined of when she was going to stop talking in story and start talking to the audience. Instead, you can only tell that she's talking to you if she's looking at you, which you always realize after you've tried to read the text into the story. And, honestly, the "twist ending" was just bad.
MARVEL 1985 #6
This book, on the other hand, is so damn good. I really like the way Millar and Edwards manage to make this book feel like a movie. This mini series has had such perfect pacing all the way through, and even managed to tie up all the loose ends well. And, well, let's just say the end was enough to bring a tear to your eye. If you were some kind of sissy, I mean.
MARVEL ADVENTURES: FANTASTIC FOUR #41
I'm pretty sure Chris Sims might have died when he read this book. Because, well, it's got Devil Dinosaur and Moon Boy in it, see? And, as it were, that's pretty awesome.
NO HERO #2
Warren Ellis has really managed to put together a storyline that still has me trying to figure out what's going to happen. Normally, when you were 3 issues into a book (that's including issue #0!), and you've still only done a little bit within the books, I start to lose interest. Luckily, this book continues to hook me with the endings. This issue is a good example of that.
A bunch of supermen show up in Metropolis. People are worried. The end.
Bringing The Vanisher, one of my favorite classic X-Men villains, back in the mix? Ok. Killing him off at the end? NOT OK!
Eisner-nominated writer Troy Hickman took a few seconds out of his busy schedule to answer some questions surrounding his recent win of Top Cow's Pilot Season contest, and his upcoming series Twilight Guardian (due out in late 2009).
Ryan Eldridge: The Twilight Guardian seems to be the exact opposite of everything one would expect from a super-hero character. What was the inspiration for the character?
Troy Hickman: Gosh, I hope she's not the exact opposite, or she'll be out there committing crimes! You have a point, though; she doesn't really follow the standard superhero template. Twilight Guardian has some inner urge that drives her to patrol the streets at night, even though she's not necessarily going to encounter Arnim Zola or the Ultra-Humanite (and if she does we'll undoubtedly be getting a cease and desist letter!). The inspiration for her comes from my own sleepless nights walking the streets of suburbia, and from all the quirky but compelling folks I've met along the way.
RE: The character herself actually comes from another series you self-published. Why don't you tell our readers a bit about that book and what lead you to bring the character to Top Cow.
TH: Twilight Guardian first appeared in my Tales of the Pathetic Club series, which dealt with people suffering from various manifestations of obsessive-compulsive disorders. The series was semi-autobiographical, as I've had some experience with OCD myself. Top Cow was interested in TG some years back when they contacted me about doing my Common Grounds series, but she sat on the shelf for a few years until Pilot Season provided the proper time and opportunity for her to return. The script for the Top Cow version of TG was basically an amalgam of her Pathetic Club appearance and the one-shot spin-off I did with her in 1995, with a bit of new material added, such as the parody comic pages.
RE: One of my favorite characters from the Pathetic Club books was Dr. Stein, any chance we're going to be seeing any of him in this series?
TH: No, probably not in this series, as the Pathetic Club stuff was not included in the Twilight Guardian deal. I would like to eventually do a recreation of it, though, in the same way I've done with Holey Crullers/Common Grounds and Twilight Guardian. I'm proud to say a lot of folks really dug that series, and I think it holds up today. I'd prefer to do it as a creator-owned series, though (my first), if Top Cow or someone else is interested (obviously Twilight Guardian would not be included in the new version).
RE: Let's talk a bit about the contest itself. Twilight Guardian developed quite a large grassroots support movement. Did you ever expect people to connect so well with the character?
TH: No, I can't say that I did. I went into this just being happy to have a new book on the shelves. I figured I'd have a nice one-shot that I could be proud of, and that, heck, maybe would manage NOT to come in last if I were lucky. And then the first week of voting came around, and TG was in third position. Since Top Cow was giving the top TWO books a series, I started thinking maybe it wasn't too crazy to believe I might have a slim chance. So I started beating the bushes something fierce, and I guess it worked.
RE: What do you think caused people to relate to her in the way they did?
TH: I think they possibly see a lot of themselves in her. She's a comic reader herself, and someone who's gone through heartbreak. More than that, though, she's looking for something out there, and I'd guess most of us are doing the same in some way.
RE: Your creative team on this book included artist Reza. Was it difficult collaborating across language barriers?
TH: Well, it wasn't too different, really, as pretty much all the "pro" comics I've done so far have consisted of me writing a script, giving it to my editor, then waiting to see the finished art. I haven't been able to really collaborate much yet, and that's something I'm looking forward to eventually. In the case of TG, though, I'm guessing there may have been some additional issues with communication, especially since my script was probably not the most conventional thing in the world, but we seem to have worked it out. I'm overjoyed with Reza's art.
RE: Artistically, one of my favorite aspects of this book was the inclusion of the snippets from fake silver age books. Are we going to see more Mantelope?
TH: We will if I have anything to say about it. Coming up with those pages was one of my favorite parts of doing this version of TG. As I went through the script, I found myself really looking forward to those pages. We'll definitely be looking at more of TG's comic collection in the mini-series, and I've got some other comic-related plans as well. And who knows? Maybe someday I can do a separate series with the likes of Mantelope, Heatnik, the Flaming Flag, and the rest.
RE: Both Twilight Guardian and your Eisner nominated series Common Grounds are based on books you wrote over ten years ago. In the time between, how much have the characters changed for you?
TH: They've actually changed very little. The scripts for the Common Grounds stories are almost verbatim from the original Holey Crullers versions, and Twilight Guardian is just a more developed version of her mini-comic appearances. The characters in both books have kind of a Silver Age vibe, so perhaps they have something of a timeless quality to them.
RE: Have you ever actually eaten a peanut butter and bologna sandwich?
TH: It's my favorite sandwich, and I've probably eaten a couple thousand of them (is it any wonder I'm the picture of health that I am?).
RE: Lastly, you've hinted that you were planning to take this series in a direction nobody would expect. Just between you, me, and the entire internet, are you at liberty to spill any secrets?
TH: Nope! Seriously, though, I think Twilight Guardian is unlike anything else on the stands right now, and I hope to keep it that way. I'll do my best to entertain the readers, and give them something that'll evoke a laugh and maybe a teary eye or two. I think that's the least we should expect out of our comics, and I'll certainly give it my best shot.
Many thanks again to Troy for taking the time to speak with us. The pilot issue of Twilight Guardian is available for free at Newsarama.
and Spider-Man even gets a few witty comments that are actually witty. I think it just felt
way too rushed. I would've totally shelled out a few bucks for a full issue story.
Firestation playset (and most of my action figures) to charity. After that I moved on to new
and exciting adventures with X-Men action figures and eventually discovered masturbation.
It's been pretty much the same since then. But today, I read this book, and I now have the
strangest urge to buy some snot. Anyone selling?
Initially this was one of the books I had decided I was probably going to stop buying. It's been a good series so far, but the character never really lived up to the fantastic way he was written in Cable and Deadpool. This issue is only slightly above par compared to the first two, but the last page was really enough to save it from the chopping block for one more issue. Deadpool versus zombies? Yes, please!
I've been pretty pleased with this Final Crisis event as a whole, but I think I'm done with it and all these little tie-in books. These are the kind of books that I always find myself putting off until last, even though the stories are usually pretty good. I think I'm just tired of company-wide events. This particular issue is definitely not one of the best out there, but I think that's just a matter of personal taste for me. I've never been a huge fan of the Spectre, and the new lady Question really doesn't do it for me.
I think it's safe to say that Matt Fraction has been killing with this series so far. This is currently one of my favorite books on the shelves, so there's no way it's getting the axe from my collection. Not to mention the variant cover (which I've never been one to get too excited about) is absolutely gorgeous. This issue marks the end of a great story arc that (as the story states) really looks to be a turning point in the direction this series is heading.
Best comic of the week. In fact, I might even go so far as to say that Gail Simone is the best writer DC has working for them right now. I've never read her Birds of Prey work, but between this book and her current Wonder Woman run, I can't get enough. This book is cleverly written, and features what is probably the greatest conversation about mexican food that has ever been featured in a comic book. Not to mention that the art (covers especially) is great. I really can't say enough good things about this book. I'm definitely adding this to my pull list.
In addition to all the great content that I've not been posting here lately, I've also recently become the newest staff reviewer over at ProjectFanboy.com. You can head on over and read my review of Worlds of Dungeons and Dragons #4, with more to follow shortly!
But wait, there's more, I'm also the author of a brand-new miniseries coming from Highburn Studios. The story is based in the same universe as their title Tribulations, and is going to be pencilled by Tribulations creator Lyle Pollard. We're still working on getting an inker, colorist, and letterer connected to the book, but we're aiming for a release alongside Tribulations #3 some time after the turn of the year.
So, as you can see, a big stack of books there (note to self: get bigger scroll). And, just to save my own face, I'm going to use the quantity of books I had to read as an excuse for why this post is a day late. It's not true, but you don't know that, so I get off easy.
Now, you might be thinking: "Gee willickers, Ryan sure did read a lot of comics this week. I bet he has all sorts of crazy things to say about them. I can't wait to read them and then not post any comments, just to spite him. Seriously, fuck that guy." Well, dear reader, you thought wrong!
Don't get me wrong, there were plenty of things worthy of freaking out over (i.e. the giant Mecha War Machine in Iron Man: DOS, Luke Cage making an appearance in 2 unrelated titles this month, or everyone in the Marvel U continuing to be monkies), but I'm not going to write about any of those things. Instead, I'm going to tell you about the one comic you need to buy. And that comic is:
THE AGE OF THE SENTRY #1
With this book, Marvel tries to recapture the essence of their Silver Age titles. This is certainly not a terribly original concept in the comic industry. DC did it back in '99 with such titles as National Comics #1 and Star-Spangled Comics #1. Heck, even Image had the short-lived series called 1963. The key difference is that this one is much better.
As I mentioned nearly a year ago in my first post, I am quite a big fan of the Silver Age. It gave us countless books that offer idealistic heroes who never give you any reason to doubt their intentions. The books were straight-forward, easy for anyone to pick up and read, and generally way too silly not to enjoy. In my opinion, the Silver Age was the perfect age for comic books.
So, every time I see a new series like this pop up on the horizon, I rush to pick up my copy. Usually, I find myself disappointed. Don't get me wrong, the books are still good and I enjoy reading them. The problem, I think, is that they serve to be a mockery of the Silver Age, instead of an homage to it. They tend to overplay the camp and silliness, which can get old really fast.
This book, however, got it right. It has the camp, but the writing is spot-on, and the art and colors are even more perfect than that. If I hadn't known this came out yesterday, I'd have had no idea I wasn't reading an old Stan 'n Jack book. But, looking back on it, with a writer like Jeff Parker (Marvel Adventures: Avengers, X-Men: First Class), it really couldn't be anything less. He captures the essence of Silver Age plot and dialog perfectly, not to mention his beautiful handling of classic villainy and comic book science. Pairing that up with his old X-Men: First Class partner Nick Dragotta and Ramon Rosanas and you've got a Silver Age book on your hands. I had never heard of Rosanas prior to this book, but he and Dragotta have managed to craft art that you would almost swear Jack Kirby drew himself. Outside of a handful of pages in Troy Hickman's Twilight Guardian (which, I might add, just won Top Cow's Pilot Season), I've never seen Silver Age done so well in these modern times of computers and flying cars.
Basically, what I'm saying is that I highly recommend this book if you're a fan of the good old days. Now, I'm off to re-enjoy this issue for myself! If you've got anything you want to add, or want to hear my opinion on anything else I bought this week, feel free to let me know in the comments section. You know, it's that link right down there that says "0 people think this is stupid".
Olivetti have wildly different styles. But really, as I sit here and look at it, the Lashley's pencils with Frank D'Armata's colors look pretty fucking awesome. I have a hard time getting through the story because I get so caught up looking at the detail in the backgrounds and crazy explosions. Also, did I mention that almost half of this book involves fighting giant bear-armadillo hybrids? Yeah, I'm pretty sure I mentioned that...
Rumors about a third Ghostbusters film being in talks have been popping up in
various media outlets for years, usually without much information to back up the
reports, but according to Variety, work on Ghostbusters 3 is already under
way. "The Office" producers Lee Eisenberg and Gene Stupnitsky are penning the
script for the new live action Ghostbusters movie which will not have all new
actors playing the team of ghost exterminators, but will actually reunite the
original cast of Harold Ramis, Bill Murray, Dan Aykroyd and Ernie Hudson.
Office Producers Eisenberg and Stupnitsky recently worked closely with
Harold Ramis on Year One, a comedy which the three co-wrote. The filmmakers
involved in Ghostbusters 3 hope to reinvigorate the popular franchise despite
the significant number of years that have passed since the last GB movie by
bringing back the original cast and creative team behind the first films, much
like Harrison Ford was brought back earlier this year to reprise his role as
Indiana Jones in Indiana Jones and the Kingdom of the Crystal Skull.
It's been 19 years since Ghostbusters II, and while it's hard to picture Aykroyd,
Murray, Ramis, and Hudson,suiting up again, Ghostbusters 3 could still work and
it could still kick a lot of ass. So what if they're fat and wrinkly now. Bill
Murray will always be Bill Murray and Ghostbusters will also be one of the
greatest film franchises of the 80s. I say, a third GB movie is awesome news.
a serious book or a funny book, and not in the good way like Cable and Deadpool. But, I can't complain too much about it. Definitely a fun read, and definitely very kid-friendly. That said, if any kids are reading this blog, maybe you should tell your parents to do a better job.
AMAZING SPIDER-MAN # 569
First appearance of Anti-Venom was just as silly as I had thought it would be, and yet also pretty damn cool. I'm pretty iffy about the whole concept, but with Slott and Romita Jr. behind the story, it should hold up fairly well.
AMBUSH BUG: YEAR NONE #2 (OF 6)
Was this good? I'm not entirely sure. There were a lot of funny points to the story, and I kind of dig the stream-of-consciousness style that was going on here, but I still have absolutely no idea what the point of this mini is.
AVENGERS: THE INITIATIVE # 16
I'm really glad to see that this book has once again become fun. With the exception of the short "KIA" arc a few months back, this book consistently delivers a storyline that is action-packed, highly informative in relation to the Skrull invasion, and really damn funny at times.
DAREDEVIL # 110
I've really liked the arc that wraps up in this issue, but I'm kind of glad to see it come to an end. This book has felt more like a really cool legal thriller that contains a Daredevil cameo. I'm glad to see that next month's issue appears to mark a return to the more "superhero vs supervillain" kind of story. And, well, the villain is a sexy lady Bullseye, so that's always nice, right?
FINAL CRISIS: ROGUES' REVENGE #2 (OF 3)
I'm not wildly fond of the core Final Crisis series, but all these secondary books so far have been absolutely fantastic. Despite being about my least favorite DC 'family' and their villains who generally suck so good, this book is not only a funny read, it's was also unexpectedly clever and well scripted.
FINAL CRISIS: SUPERMAN BEYOND #1 (OF 2)
The fact that this book is printed in 3D should be enough for you to know it's good. My only gripe is that not every page was 3D, so you've either got to keep putting on and removing the glasses every other panel, or deal with the resulting headache. Still a fun book, and the cover looks fantastic in 3D.
KICK-ASS # 4
This book was actually supposed to come out a few weeks ago, but it was well worth the delays. This issue really ups the ante in the "blood and guts and other fucked up shit" department that Millar and Romita Jr. do so well. Unfortunately, some interviews that have been released on the net about the upcoming movie have already ruined several of the surprises about the two new characters.