This had pencils by Ken Lashley, instead of series regular artist Ariel Olivetti. I was a bit worried, as the last book I read that Olivetti did art on kind (Punisher War Journal) seemed to lose alot of it's appeal to me once he left the book. And honestly, I was a bit disappointed when I first opened this issue up. Because, well, Lashley an
Olivetti have wildly different styles. But really, as I sit here and look at it, the Lashley's pencils with Frank D'Armata's colors look pretty fucking awesome. I have a hard time getting through the story because I get so caught up looking at the detail in the backgrounds and crazy explosions. Also, did I mention that almost half of this book involves fighting giant bear-armadillo hybrids? Yeah, I'm pretty sure I mentioned that...
Olivetti have wildly different styles. But really, as I sit here and look at it, the Lashley's pencils with Frank D'Armata's colors look pretty fucking awesome. I have a hard time getting through the story because I get so caught up looking at the detail in the backgrounds and crazy explosions. Also, did I mention that almost half of this book involves fighting giant bear-armadillo hybrids? Yeah, I'm pretty sure I mentioned that...
Ok, so I understand that Secret Invasion is the big hot thing right now in the Marvel U, and I realize that making fun of the current big hot thing is kind of Deadpool's whole reason for existing, but I kind of wish they hadn't gone that route. Don't get me wrong, the book was still really good, I just couldn't enjoy it to the fullest because I am so fucking sick of Skrulls. Otherwise, it was great. The funny side of Deadpool's personality has been turned down a lot from where it was towards the end of Cable and Deadpool, but that's not really a bad thing. You get to see a lot of badical fights, and the jokes are still there, but the whole thing seems to be more driven by the plot than by the jokes.